The cafeteria is located under the auditorium stands, as can be seen in the curved reinforced concrete ceiling. This open-plan space is fragmented by a combination of fixed wooden counters and an arrangement of informal loose furniture so the space works also as a waiting room.
The stairs are designed as a sculptural piece of furniture. Made of natural and lacquered wood, they provide wide steps towards the second floor while hiding a small toilet underneath. On the side, and following an orthogonal composition, they form a bookcase in front of the dining room.
In contrast to the orthogonal rigidity of the exterior, the interior spaces are wrapped in soft, rounded corners. The oak flooring and the concrete ceiling offer a warm visual tone while a featured wooden slats partition serves as a transition and articulates the space.
From the stage, you can see the configuration of the acoustic ceiling, formed by curved surfaces mounted on top of each other, like the shell of an armadillo. The stage lighting is placed between the suspended planes of the ceiling, while the hall receives light from the small recessed spotlights that resemble a starry sky.
The exhibition shows an infographic with the characteristics of low-density neighbourhoods. A bar chart represents the values of mobility, urban greenery or social diversity among others. These parameters are diametrically opposed to those in the dense city model, so the union of both graphs generates a hyperbolic paraboloid on the ceiling.
The heart of the house is the living room, lit by large windows and a skylight. The dark walls contrast with the ceiling and the white leather Barcelona armchairs designed by Mies van Der Rohe. The texture of the natural stone wall is highlighted by the zenithal light from the skylight.
The exhibition hall has four illuminated tables with infographics and illustrations explaining the four fundamentals of urban planning. Above the displays, the ceiling of the space is covered with a three-dimensional graphic of white lines illuminated with ultraviolet light on a black background.
The overlapping wooden strips that wrap around the ceiling create a dynamic and contemporary image of the auditorium’s interior. The texture of the curved wood together with the random arrangement of the ceiling lights creates a warm atmosphere with excellent acoustic conditions.
A large touch screen allows visitors to the exhibition to interact with the urban parameters of the Hutong and to understand the balance and diversity of the neighbourhood. The screens are made of projection, infrared cameras and sensors that detect movement. Users can drag and drop buildings to modify the urban fabric.
The skylight is a delicate composition made of stainless steel profiles, tempered glass and plasterboard that serves to conceal the beams of the new slab structure. The flared shape of the openings allows more light to enter and enhances the dynamic appearance of the ceiling.
The dining room is a transition space to the living room in this open-plan flat. The space is illuminated by the skylight in the ceiling and the large windows facing the garden. The interior design combines neutral colours to create an elegant atmosphere where the texture of the stone wall stands out.
Each project in the exhibition is displayed on a table with a book containing graphic content and a screen with a documentary video. The project developed by Tsinghua University in Beijing explains the reuse of collective housing buildings in the hutong.
The exhibition tables have rotating panels that allow the public to interact with the content and discover information and images of the projects. The subtle lighting of the space, which focuses attention on the content rather than the continent, creates a mysterious and evocative atmosphere.
A child interacts with the touch screen of the exhibition which, like an urban game, allows you to drag and drop elements in the urban space to create your own hutong. The iinteractive app allows you to understand the urban parameters that determine the diversity of traditional Chinese neighbourhoods.
The house is distributed around the kitchen and the garden. The sloping roof gives more height to the ceiling in the living room and descends towards the bedrooms. The entrance hall articulates the spaces for daytime use, from where you can also go out into the garden.
The exhibition space is a dark room featuring long tables with interactive rotating panels, books and video screens. The lighting consists of spotlights from the ceiling and table lamps from the Italian brand Flos that create a warm and cosy atmosphere.
The long tables are high and allow you to comfortably read the information contained in the catalogues for each project. The ‘city visions’ edition of the exhibition was sponsored by Flos, which supplied the D’E-light lamps designed by Philippe Starck.
The extension of the house introduces an interior courtyard that provides light to the living/dining room. In front of the elongated courtyard window, a double-height gap is formed to change the perception of space and bring a feeling of spaciousness to the ground floor.
The main hall of the exhibition displays a three-dimensional graphic depicting the disparity of urban models in China. The graphic forms a hyperbolic paraboloid that occupies the ceiling like a huge infographic. The ultraviolet light makes the white lines stand out against the black background.
The spatial planning of the exhibition space allows several groups of people to enjoy the content simultaneously in a calm and evocative atmosphere. Each table is associated with a screen on which a documentary is projected to expand on the information shown in the books and rotating panels.
The living room is the heart of the house. The double-height space vertebrates the areas of daily use and connects it with the outdoor landscape. The kitchen is separated by recessed sliding glass doors that open up space, so the living is linked to the bar located there.